Hey Eileen: So I'm wading through Renato Poggioli's Theory of the Avant-Garde (yes, still) and I come across, believe it or not, a reference to Jose Garcia Villa! Okay, not a very nice one, but I thought you might be interested.
"To the illusion that the arts were interchangeable and mutually corresponded, there was often added a childish belief that a transformation which was not formal and organic, but external and mechanical, could have a final and absolute value, rather than a merely instrumental and relative one. As an extreme example, suffice it to cite the so-called comma poems of the young Philippine-American poet José Garcia Villa, in which the space between each word is occupied by that punctuation mark: a purely arbitrary graphic novelty in which the poet claimed to see a literary equivalent of…Seurat’s pointillistic paintings!" (134)